924 search results for “historicising art and literature” in the Public website
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Earth, Energy and Sustainability (BSc Major of Liberal Arts and Sciences: Global Challenges)
At the start of the 20th century there were fewer than 2 billion people. Now at over 7 billion, Earth’s population is on target to reach 8 billion by 2027. How has this dramatic increase in human population impacted Earth’s life support systems and natural resources? How should we understand the meaning…
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International Justice (BA Major of Liberal Arts and Sciences: Global Challenges)
Home to the International Court of Justice and the International Criminal Court, The Hague is the perfect backdrop to explore conceptions of justice in our global society. Questions of human rights, peace, security and the environment present legal and policy challenges for governmental and non-governmental…
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Hans Janssen
Faculty of Humanities
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Carlos Roos Muñoz
Faculty of Humanities
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Zsofia Pilz
Faculteit der Sociale Wetenschappen
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Janneke Wesseling
Faculty of Humanities
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Memorable Arts: The Mnemonics of Painting and Calligraphy in Late Imperial China
Ms. Monica Klasing Chen defended her thesis on 16 December 2020
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Subjects Barbarian, Monstrous, and Wild: Encounters in the Arts and Contemporary Politics
Subjects Barbarian, Monstrous, and Wild responds to a contemporary political climate in which historically invested figures of otherness—barbarians, savages, monsters—have become common discursive currency.
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tropics and critical autoethnographic practices of research within media art.
This doctoral project by artist and educator Luiz Zanotello engenders a postcolonial understanding of time, space and movement by means of artistic research methods. The project examines the contradictory effects of the abyssal line of thought within the tropics as a starting point.
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Life on a Strip
Joanna Krenz defended her thesis on 15 May 2018.
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Geert Warnar
Faculty of Humanities
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Rethinking African history
This Collaborative Research Group acts primarily as a platform for discussion of historical issues related to the African continent, its place in the world and in African Studies.
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The Arts of Memory. The Remembrance of the Armenians in Turkey.
This study is an attempt to reconstruct the muted violent past by breaking the monopoly of the Turkish state over the memory of the Armenian genocide.
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Leonor Veiga de Oliveira Matos Guilherme Ponsar
Faculty of Humanities
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Der Neue Poseidipp
One of the most intriguing papyri discovered and published in recent years is the so called
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Art historian Sven Lütticken joins ACPA
ACPA is delighted to welcome Sven at Leiden University. He is a valuable addition to the academic staff where he, in his role as Associate Professor, will supervise PhD students in the PhDArts programme.
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Shifting the compass
Shifting the Compass: Pluricontinental Connections in Dutch Colonial and Postcolonial Literature
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Power and Persuasion. Essays on the Art of State Building in Honour of W.P. Blockmans
The transformation of the myriad of medieval kingdoms, principalities, local lordships, city-‘states’ and peasant ‘republics’ into ‘modern’ states, claiming some measure of sovereignty, remains one of the core themes of European history, because it gets down to the very root of the (idea on the) Europe…
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Christoph Pieper
Faculty of Humanities
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Ako Tsujita
Faculty of Humanities
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Time and Identity in Indigenous Narrative and Aesthetic Strategies
This research hopes to contribute to social awareness of the consequences of colonialism for Indigenous Peoples, to the deconstruction of still existing colonial and discriminatory notions and to a better appreciation of Indigenous art and thought.
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of security by design and privacy by design based on a systematic literature review
The authors systematically search and review relevant definitions of Security by Design (SbD) in comparison with Privacy by Design (PbD).
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Paula Esteves dos Santos Jordao
Faculty of Humanities
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Overwhelming Architecture in Amsterdam in the Seventeenth-Century
The hypothesis of this research is that the municipality used the impressive the Town Hall to enforce its rule and represent its political ideas and make use of sources such as biographies, poems, pamphlets, sermons and governmental documents.
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Modernismo eclipsado: arte e arquitetura alemã no Rio de Janeiro da Era Vargas (1930-1945)
On the 22nd of April, Liszt Vianna Neto successfully defended a doctoral thesis and graduated. The Leiden University Centre for Linguistics congratulates Liszt Vianna Neto on this achievement.
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Thijs Porck
Faculty of Humanities
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The restorations of the Comité de Conservation des Monuments de l'Art Arabe in Egypt: "conservation" or "reinvention" of monuments?
Dina Ishak Bakhoum defended her thesis on 21 January 2021
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'Contemporary Arts in and for Civil Society' in 'Routledge Handbook of Civil and Uncivil Society in Southeast Asia'
'The Routledge Handbook of Civil and Uncivil Society in Southeast Asia' explores the nature and implications of civil society across the region, engaging systematically with both theoretical approaches and empirical nuance for a systematic, comparative, and informative approach.
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docARTES
docARTES is a doctoral programme for performers and composers. It offers a unique environment for critical reflection on musical practice.
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The Routledge Companion to Sounding Art
ACPA Professor of Auditory Culture and Music Philosophy Marcel Cobussen and ACPA PhD Supervisor Vincent Meelberg are, together with composer and Simon Fraser University Professor Barry Truax, editors of the recently published Routledge Companion to Sounding Art.
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Ton Anbeek van der Meyden
Faculty of Humanities
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De lichtheid van literatuur: Engagement in de multiculturele samenleving
De lichtheid van literatuur: Engagement in de multiculturele samenleving (The Lightness of Literature: Engagement in the Multicultural Society) is a plea for the social relevance of literature. The book delves into an age-old debate about literature and social engagement, which has recently been reinvigorated…
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Technical Art History Days (Utrecht, April 4-5)
The Dutch Research School Art History (OSK) and Utrecht University organize the Technical Art History Days. On April 4 and 5, experts present and discuss current research at Utrecht University that brings together material and digital approaches for the study of art and heritage.
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Thijs Porck participates in the SELIM conference in Granada, Spain
From 17 to 19 September, the University of Granada organized the 27th International Conference of the Spanish Society for Medieval English Language and Literature (SELIM).
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City tales: an art-based participatory framework for studying migration-related diversity (ARTIVES)
The ARTIVES project studies imaginaries of diversity portrayed by artists in Lisbon and Rotterdam in their films, performances and (oral) literature with the aim to explore their transgressive potential of opening up possibilities of thinking differently about migration-related diversity. Their stories…
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Antique Dealing and Creative Reuse in Cairo and Damascus 1850-1890: Intercultural Engagements with Architecture and Craft in the Age of Travel
This beautifully illustrated volume investigates the social life of objects moving between the Middle East and the West, revealing the range of agencies and subjectivities involved in their trade and reuse.
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History of Cultures, Knowledge and Ideas
It is integral to many cluster members’ research to use Medieval and Early Modern Arts as a lens for studying the medieval and early modern periods at large:
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Ancient Worlds network
The Ancient Worlds Network brings together staff and graduate students in LIAS working on the ancient Mediterranean and Near Eastern world.
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Asian Studies (research) (MA)
The research master's in Asian Studies gives you access to Leiden University's leading expertise in the countries of Asia, from their politics and literature to their languages.
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Mathematics and art: two sides of the same coin
Come to IMAGINARY at Administration and Central Services (Rapenburg 70) and discover the beauty of mathematics. This exhibition is open to the public until 24 March.
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Lawyers often too rigid about looted art
Law researcher Evelien Campfens is calling for a better legal treatment of looted art. ‘For lawyers, ownership is a very absolute concept. There is one legal owner and that is that.’ Campfens is a PhD candidate at the Leiden-Delft-Erasmus Centre for Global Heritage and Development.
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Research
Leiden University seeks to bring knowledge, academic top talents, and resources from Leiden and China together in mutually beneficial joint research projects that are content-driven, based on existing excellent research.
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Multilingual Dynamics of Medieval Literature
As part of the NWO-funded research project ‘The Multilingual Dynamics of the Literary Culture of Medieval Flanders, c. 1200- c. 1500’, we invite proposals for 20 minute papers addressing any aspect of medieval literature and literary culture. We welcome proposals from scholars at all career stages—and…
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Writing Novels under the New Order
On the 31 March 2022 Mr. Taufiq Hanafi successfully defended a doctoral thesis and graduated.
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NWO grant to research scent language in seventeenth-century literature: 'God is like a scent'
When it comes to literature, people mostly talk about what characters see or hear. Rarely is it about what they smell. That’s a shame, thinks university lecturer Jan van Dijkhuizen. He has been awarded an Open Competition grant from NWO to expand academic knowledge about scent in literature, and to…
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A Social History of Painting Inscriptions in the Ming Dynasty (1368- 1644)
Wenxin Wang defended her thesis on 26 October 2016
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Publication: Making Matters - A Vocabulary for Collective Arts
The publication Making Matters - A Vocabulary for Collective Arts marks the end of the NWO project 'Bridging art, design and technology through Critical Making', led by Janneke Wesseling and Florian Cramer. The book contains the outcomes of this project.
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Nick Tomberge
Faculty of Humanities
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Olga van Marion
Faculty of Humanities
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The emergent ‘artistic object’ in the post-conceptual condition
Where in the model of contemporary art, which can be described as a hybrid and joint undertaking between artists, institutions, curators, theory and discursivity, is the actual 'object' of art located and generated? Where and by whom and in what configuration of positions is it produced? Who or what…