Lecture

What effect do trends in the art world have on the formation of museum collections? University lecturer Martin Berger wants to answer that question in his research within the Museums, Collections and Society project, which asks ethical questions about the origin of collections.

In an article by the New York Times, cultural heritage law specialist Evelien Campfens discusses the difficulties surrounding the ownership of looted art.

The University’s historical collection is housed in the Academic Historical Museum. The museum is situated in the Academy Building.

Arts and culture

The Netherlands returned 478 artefacts to Indonesia and Sri Lanka this week, on the advice of a Dutch committee. Rightly so, says Leiden professor Pieter ter Keurs from the Museums, Collections and Society interdisciplinary research programme. ‘But do make it clear why you are returning something.’

On January 28 and 29, 2021 the conference ‘Imperial Artefacts: History, Law and the Looting of Cultural Property’ took place online. This first of its kind event at Leiden University was an interdisciplinary online conference and brought together (post-)colonial historians, legal historians, curators,…

The IFLA-Section Rare Books and Special Collections committee and the Indigenous Matters Section, in collaboration with Leiden University Libraries (UBL) organize a satellite conference in Leiden – Friday August 18th and Saturday August 19th – prior to the IFLA World Library and Information Congress…

A grant from the JEDI Fund allowed university lecturer Jessie Morgan-Owens to design a lecture series on indigenous studies. ‘We filled a gap in the knowledge.’

What does a 19th-century exhibition of traditional utensils from the province of Zeeland tell us about the current rise of populism? A lot, Ad Maas will say in his inaugural lecture.

Why and how do people collect things? Why does a museum display one object and not another? These questions are at the heart of the interdisciplinary research programme Museums, Collections and Society. The programme is holding a conference for scholars and the general public on 5 and 6 July.

The plan was to research the years surrounding the creation of the signature H.P. Berlage building of the Kunstmuseum Den Haag, but due to the lockdown, University Lecturer Laurie Kalb Cosmo has hardly been able to visit museums. Yet she succeeds in continuing her research for the Museums, Collections…

University lecturer Laurie Cosmo, having grown up in New York, came to the Hague from Rome, Italy, where she fell under the spell of the Kunstmuseum. ‘I loved the building even before I worked at Leiden University.’

Who assembled the collections of museums? The answer to this question seems to point to men as collectors. Apart from for rare exceptions, female collectors hardly seem to exist. Yet there were indeed women collectors. For the project Museums, Collections and Society, researcher Holly O'Farrell will…

Geert-Jan Janse has always been fascinated by the way objects can bring the past closer. On 16 November, he will present a Museum Talk about his work as the director of the Vereniging Rembrandt (Rembrandt Association).

Ten Leiden museums and heritage institutions have curated the online exhibition ‘Carel’s Universe’. They selected objects from their collections that symbolise retiring Rector Magnificus Carel Stolker and the research in Leiden. With direct references, playful associations and the odd nod and wink.

Professor Pieter ter Keurs has spent his entire career studying collecting. Now, he is retiring. ‘I hope the focus on collections will carry on.’

The terms of employment of university employees are set out in the CAO of Dutch Universities.

On 1 September, Ad Maas, curator of Rijksmuseum Boerhaave, was appointed professor by special appointment. In this role, he will primarily focus on the representation of natural sciences in museums.

Museums have long focused on power, wealth and a few famous figures. But that is changing, says Valika Smeulders, head of the history department at the Rijksmuseum. What this change comprises and how it has come about is the subject of her keynote speech at the D&I Symposium on 11 January.

On the occasion of the Workshop organized last July to officially launch the Leiden Chinese Queer Collection (LCQC), the National Museum of Taiwan Literature (NMTL) donated 30 titles of Taiwanese LGBTQ+ literature to support this initiative. These works where published between 1971 and 2022 by authors…

Terracotta pottery, precious ikat fabrics and the bazaars where these goods are sold: all these can be seen in a new Louvre film premiering on Friday 9 December. University lecturer Elena Paskaleva collaborated on the film Uzbekistan a timeless journey in Central Asia about Uzbek artefacts.

What do you do with a museum collection full of individual white Nobel laureates at a time when diversity, inclusion and teamwork reign supreme? Ad Maas, professor by special appointment, and researcher Hilbrand Wouters have been awarded an NWO Museum grant to answer that question.

Would you like to do collection-oriented research, but do not have sufficient resources? Every year, the Museums, Collections and Society (MCS) research group makes several research scholarships available for this purpose. Researchers Elizabeth den Hartog and Marika Keblusek previously received an MCS…

There are as good as no clear rules for the return of stolen art. This means that rather than in court, many cases are decided in the political arena instead. In her PhD research Evelien Campfens suggests how this could change. PhD defence on 11 November.

What practical steps can we take to resolve cross-border claims to looted art and prevent illicit trafficking in cultural goods? That's what the European Parliament asked Leiden legal scholar Evelien Campfens. Her advice: develop a registration system, issue art with a ‘passport’ and set up a European…

This summer, the COBRA Museum will be focusing on Moroccan art. 'The other story' exhibition presents for the first time Moroccan modernism in the Netherlands. The Netherlands Institute Morocco (NIMAR) contributed to its exhibition