This doctoral trajectory explores sound, its image and its role in relating humans and our technologies to the environment.

Where in the model of contemporary art, which can be described as a hybrid and joint undertaking between artists, institutions, curators, theory and discursivity, is the actual 'object' of art located and generated? Where and by whom and in what configuration of positions is it produced? Who or what…

The second and final volume of this co-authored study has just been published by J.B. Metzler. This second monograph explores the history of the concept of barbarism in the twentieth and twenty-first centuries.

Steven Frost defended his thesis on 6 June 2017

This doctoral project by artist and educator Luiz Zanotello engenders a postcolonial understanding of time, space and movement by means of artistic research methods. The project examines the contradictory effects of the abyssal line of thought within the tropics as a starting point.

Bruno Munari (1907–1998) was a prolific and influential artist, designer, and writer. Alessandro Colizzi’s study is the first extensive, detailed record of Munari’s graphic design production, and as such provides a substantial base for a full understanding of his oeuvre.

Barbarism: from the 18th century to the present.

A new outreach initiative for the communication of artistic research!

The subject of the research is ‘difference and repetition’, an area which bears a direct relationship to Wjm Kok’s practice, in which the production of work always emerges and passes through series.

On 16 May 2023, Jan Aart Scholte presented research on the Regional Internet Registries to the annual conference of GIG-ARTS in Padua.

On Thursday 12 October 2017 Janneke Wesseling will give a lecture as part of the Studium Generale Programme at Eindhoven University of Technology (TU/e).

For twenty years, the Art History study programme had its own journal, the highly successful Decorum, which was written and edited by students. When the last editor left, the magazine ceased publication. Now, more than 20 years later, it’s time for a new Art History journal.

Come to the Night of Arts and Science in Leiden 's historic city centre on 17 September. You can enjoy music, interactive experiments, theatrical plays, lectures, modern dance, comedy and much, much more. Many of the activities are in English.

In Humanity’s End As A New Beginning, Emeritus Professor Mineke Schipper reflects on myths about ‘the end’.

Geometrical patterns serving as decorations do more than just that; they always have a meaning, according to art historian Arthur Crucq. Doctoral defence 17 May.

This research will investigate which aspects of On the sublime received attention in the intellectual milieu of the seventeenth century and how the sublime found its way in the political and artistic discourse of that time. Thus I aim to shed light on the role of art in politics and society in this…

This project investigates the transposition of natural historical material, knowledge and vision, between different media (collection, scientific drawing, academic texts, the visual arts and/or literature) – a transmission that happens in the borderline between the traditional, emblematic worldview…

An artwork by Guy Livingston has been chosen to launch into space and be exhibited on the International Space Station.

The subject of this thesis is Alverata, a twenty-first-century typeface whose design was inspired by the shapes of Romanesque capitals such as those found in inscriptions of the eleventh and twelfth centuries.

On the 22nd of April, Liszt Vianna Neto successfully defended a doctoral thesis and graduated. The Leiden University Centre for Linguistics congratulates Liszt Vianna Neto on this achievement.

This dissertation deals with Hegel’s theory of the sublime (das Erhabene). I focus specifically on die heilige Poesie (sacred poetry), a form of art that he identifies with the Judaic Psalms and which I claim to be the core of Hegel’s approach to sublimity. I claim that Hegel’s apparent lack of interest…

This book provides an overview of critical scholarly reflections on the history of Dutch slavery and colonization, as well as how this translates into critical cultural practices.

The transformation of the myriad of medieval kingdoms, principalities, local lordships, city-‘states’ and peasant ‘republics’ into ‘modern’ states, claiming some measure of sovereignty, remains one of the core themes of European history, because it gets down to the very root of the (idea on the) Europe…

On May 18 Janneke Wesseling gave a lecture at the conference

The focus of the research lies in the approach of reducing, denying, or taking away essential elements of music making in order to let the musician become theatrical.

Last September Henk Borgdorff participated in the art and research funding expert meeting of funding agencies initiated by the Society for Artistic Research (SAR).

The PhD students at the Academy for Creative and Performing Arts of Leiden University include a composer, an artist and a baroque flautist. Henk Borgdorff, who studied the phenomenon of PhDs in the Arts, says, ‘Artistic research in all disciplines of the Arts is a booming business worldwide.’

KIGS is a research project on communication patterns in the social sciences and humanities. Counting of publications and citations are common methods to measure international scientific impact. Based on citation analyses, various calculation methods and indicators have developed in recent years. However,…

ACPA is delighted to welcome Sven at Leiden University. He is a valuable addition to the academic staff where he, in his role as Associate Professor, will supervise PhD students in the PhDArts programme.

Law researcher Evelien Campfens is calling for a better legal treatment of looted art. ‘For lawyers, ownership is a very absolute concept. There is one legal owner and that is that.’ Campfens is a PhD candidate at the Leiden-Delft-Erasmus Centre for Global Heritage and Development.

Imagined Voices deals with a form of composition, music with on-screen text, in which the dynamic between sound, words and visuals is explored.

The Department of History and Art History externe link at Utrecht University is looking for a candidate for the PhD-project “The (R)evolution of Reconstruction: an analysis of digital facsimiles”. This project analyses the value of digital facsimiles for researchers, heritage institutions, and museum…

Students from the Royal Academy of Art The Hague (KABK) designed the 450 lustrum logo.

This study interrogates contemporary and historical uses of barbarism, arguing that barbarism also has a disruptive, insurgent potential.

In which way was literary celebrity constructed in the nineteenth century and what forms of fandom were there?

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This collaborative project aims to explore the history of the concept “barbarism” in Europe from the 18th century to the present, with a particular emphasis on the role of literature and art in the concept’s shifting functions.

This project investigates the role of art in the public and academic debate on biosolar energy

Street theatre, drama, poetry and a lot of science: Leiden's Rapenburg was the backdrop for the fifth Night of Art and Knowledge on Saturday 16 September. Many University buildings - from the Observatory to the Hortus - opened their doors to artists, scientists and a public curious to know more.

The hypothesis of this research is that the municipality used the impressive the Town Hall to enforce its rule and represent its political ideas and make use of sources such as biographies, poems, pamphlets, sermons and governmental documents.

Appointment of three professors represents jewel in the crown of 15-year partnership between Leiden University and the University of the Arts The Hague.